This project was short but fun. One shot was all we worked on, but it wasn't an ordinary one! Director James Wan had this long sequence all in one shot. In order to accommodate the wide range of camera movements, the set's design had to be without ceilings. As a result, the director of photography was able to capture what the director had imagined.
Abstract Frame had the task of recreating the ceiling in the post with a wooden rustic feel to match the other assets.